Welcome back to my series about albums that matter to me. If you missed it, the first episode is available online at this link: episode 1. At the time of writing sixty brave souls have had a look; thank you all.
Album #2: Jason Isbell - Southeastern (2013)
In 2013 Jason Isbell released what I regard to be one of the best albums of all time. Southeastern is a collection of songs of such strength and depth that any songwriter could not fail to be impressed. Although Isbell would go on to win six Grammy Awards for subsequent work, this album is the one that I love. It's cliched to call it lightning in a bottle but that's what Jason and producer Dave Cobb achieved.
I became aware of this album via my good mate George. He insisted that I listen to it and gently cajoled me into taking more than a passing interest. In the end, as part of George's band, I played a gig where we performed Southeastern in its entirety.
We're here to talk about why I regard this album as important to me. I can assure you, after seeing Jason play live in 2018 and being part of a crowd singing along to every song, that his music is important to others.
Firstly, Southeastern is a reminder of a band I was once in. Junk Sculpture was around long before my involvement as well as after I was done. We played many special shows, most notably for me up in Tingha and surrounds. I had to work hard to learn every song on Southeastern but it was never a chore. I was blessed with bandmates who were (and remain) much better musicians than me. That said, they encouraged me and, with kindness, made me improve markedly. The thought of that relationship, or was it a brotherhood, still fills me with good vibes. The songs may sound simple in places but to be relatively faithful to them takes effort and a deep respect for the music.
When we played the Southeastern gig in 2015 it was at a beautiful old church outside Canberra. The venue was great, the crowd appreciative and the band was in a state of flow. I was there in body but not in spirit that day. I had learned the songs so well that it was autopilot. This was during the week Zoë was unaccounted for after Tropical Cyclone Pam in Vanuatu. I remember not wanting to go to the gig but I knew there were others counting on me. So I don't remember much about the show other than saying a few words to the man upstairs whilst in the church on the off chance that he might be listening. It would be another few days before we got news that Zoë was OK. So, Southeastern takes me back to that time for both good and not so happy reasons.
The final reason that I think this album is important is that I keep coming back to it for inspiration. Whether it's the elegant fingerpicking on some tracks, the ripping solos on others or the sublime turns of phrase, this is an album I listen to very regularly. In the lyrics I am struck by Isbell's use of what he might see as common words. In particular I mean place names and medications that have a musical quality. Have you heard a song with Klonopin or Pedialyte mentioned before? I had to look them up. And places like Ybor City and Fond du Lac. Not only has my knowledge of USA geography improved, but it's made me wonder that whilst I might think that place names local to me don't belong in songs because they sound silly, perhaps they wouldn't to others.
There is now a tenth anniversary edition of the album that includes demo tracks as well as a live set. It's all killer and no filler. The demo versions in particular reveal Isbell's depth of talent.
I've been listening to the album whilst writing all of this down and trying to select a track to play for you all. Although I have my favourites, choosing one or two is a hard task. I've decided to select two. The first is the one I enjoyed playing the most. Guitarists love playing, loud, in the keys of E and A. Electric guitars, rock and roll music and those keys just work well together. Super 8 challenged me as it's in C (I think). I don't play slide guitar but approximating the cool guitar licks is heaps of fun. Recently, whilst watching live footage of the band, I have realised that there is a better than average chance that it's played in an open tuning (where the guitar is tuned to a chord). Maybe I need to try that but regular tuning is hard enough!
Jason Isbell - Super 8 - https://youtu.be/kydK3NvFvvg
Jason Isbell - Super 8 - https://youtu.be/kydK3NvFvvg
The other song I'd like to recommend is Songs That She Sang In The Shower. It's not one of the 'hits' but I really like the guitar riff. It swings along in a way that I found hard to nail down for a while but when I stopped counting and started feeling the beat I got it. It also includes one of my favourite lyrics, "and the frost on the ground probably envies the frost on the trees". Sure, this is a sad song but it's achingly beautiful to my ears.
Jason Isbell - Songs That She Sang In The Shower - https://youtu.be/W8qNgGh-x9M
In one of Jason's songs on a subsequent album the lyric is, "I've sung enough about myself". It's an interesting choice of words. Southeastern is his post-rehab album but whilst the themes may reflect this, the majority of the songs aren't about him. Isbell has that knack of telling a story about someone else and making it sound personal.
Tune in next time for a trip back to 1988.
Thanks for reading this,
The Woozle
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